Babydoll (Adaptation)

Musik:Babydoll - Jamie Miller
Koreograf:Jamie Miller - November 2026

(Line Dance Adaptation by Daniela Seidel & Sascha Wolf)

SECTION 1 – CAMEL WALKS FORWARD WITH SHOULDER PUSHES
1–4Step L forward popping R knee forward, step R forward popping L knee forward, step L forward popping R knee forward, step R forward popping L knee forward.

5–8Repeat counts 1–4.

Styling: Push shoulders forward on every count (1–8), matching the rhythm of the Camel Walks.

SECTION 2 – PRESSED TOUCHES R & L WITH ARM STYLING
&Close L beside R.

1–2Press R toe to R side taking partial weight, recover weight onto L and draw R beside L.

3–4Press L toe to L side taking partial weight, recover weight onto R and draw L beside R.

5–6Press R toe to R side taking partial weight, recover weight onto L and draw R beside L.

7–8Press L toe to L side taking partial weight, recover weight onto R and draw L beside R.

Styling:
1–4Push shoulders forward on each count.

5–6Extend R arm forward, showing two fingers (V-sign).

7–8Continue the arm styling.

SECTION 3 – BALL CROSS, SIDE (4×)
&1–2Step R ball beside L, cross L over R, step R to R side.

&3–4Step L ball beside R, cross R over L, step L to L side.

&5–6Step R ball beside L, cross L over R, step R to R side.

&7–8Step L ball beside R, cross R over L, step L to L side.

SECTION 4 – STEP TOUCHES R & L WITH FINGER SNAPS & POINT
1–2Step R to R side, touch L beside R.

3–4Step L to L side, touch R beside L.

5–6Step R to R side, touch L beside R.

7–8Step L to L side, touch R beside L.

Arm Styling:
1–2Raise R hand and snap fingers.

3–4Raise L hand and snap fingers.

5–6Point R index finger forward on the lyric “You”.

7–8Keep R arm extended, maintaining the forward point.

SECTION 5 – SMALL JUMP, R HEEL BOUNCES WITH ARM CIRCLE
1Small jump, landing with weight mainly on L, keeping R ball of foot on floor.

2–4Bounce R heel 3 times.

5–8Bounce R heel 4 times.

Arm Styling: 1–8 Bring both hands in front of face, then open arms outwards and downwards in a large semicircular motion (rainbow shape).
Weight remains on L throughout the heel bounces.

SECTION 6 – R KNEE SWIVELS WITH NIGHT FEVER ARM POINTS
1–2Swivel R knee out, swivel R knee in.

3–4Swivel R knee out, swivel R knee in.

5–6Swivel R knee out, swivel R knee in.

7–8Swivel R knee out, swivel R knee in.

Arm Styling:
1, 3, 5, 7Point R index finger diagonally up to R (Night Fever style).

2, 4, 6, 8Point R index finger diagonally down to L, across body.

Weight: Remains on L, R ball of foot stays on floor, allowing R knee to swivel freely.

SECTION 7 – CAMEL WALKS FORWARD, ¼ TURN L
1–4Step L forward popping R knee forward, step R forward popping L knee forward, step L forward popping R knee forward, step R forward popping L knee forward.

5–8Repeat counts 1–4, making ¼ turn L at the end of count 8.

Styling: Push shoulders forward on each count (1–8), matching the Camel Walks.

SECTION 8 – CAMEL WALKS FORWARD WITH SHOULDER HOLD, ¼ TURN L
1–4Step L forward popping R knee forward, step R forward popping L knee forward, step L forward popping R knee forward, step R forward popping L knee forward.

5–8Repeat counts 1–4, making ¼ turn L at the end of count 8.

Styling: Place R hand on the shoulder of the dancer directly in front of you after the first ¼ turn L. Maintain contact while performing the Camel Walks.

FORMATION & CHOREOGRAPHY NOTES
Original Video: During Section 7, dancers move forward and backward to form a line.
Line Dance Adaptation: As dancers are already positioned in lines and rows, they continue moving forward during Section 7.
At the end of Section 7, dancers make a ¼ turn L and place their R hand on the shoulder of the dancer directly in front of them.
At the end of Section 8, dancers make another ¼ turn L, resulting in a total ½ turn L and making this a 2-wall choreography.
Why this adaptation? In traditional Line Dance formations, the distance between rows is usually too large to maintain shoulder contact with dancers in the next row. By adding a second ¼ turn L, the shoulder hold can always be performed with dancers from the same original line.
Important: Dancers should stand close enough within their own line to allow comfortable shoulder contact. Avoid pulling or pushing the dancer in front.

ENDING
After completing 5 walls, dance Sections 1 and 2 (the first 16 counts) once more.
&1Step R ball beside L, cross L over R.

2Unwind ½ turn R, keeping feet crossed.

Finish: Hold your final position.

Step Sheet based on the original Jamie Miller Dance Challenge, adapted for Line Dance formations by Daniela Seidel & Sascha Wolf.

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